Categories
Coffee review Coffee Roasters General Observations slow Sustainability/environmental

Seeing the light at Redemption Roasters

Coffee Bloomsbury
Redemption Roasters Cafe on Lamb’s Conduit St.

At the top end of Lamb’s Conduit Street there is an unassuming café in a fairly modern building at the corner of Long Yard. In recent weeks I had been hearing a lot about Redemption Roasters and their café. First came the review by Double Skinny Macchiato, then various comments on Twitter, in Caffeine magazine and finally, an article in the FT. In an ideal world, it seems to me that cafés can act as seeds towards forming a better society. Local and independent, a friendly place where you can chat with the baristas (or café owners), and so where communities can form and develop. All that I had heard about Redemption Roasters café fitted, in some way, into this ideal which meant that it was not going to be long before I headed towards Bloomsbury and tried this new café.

Plenty of seating could be found inside the café, with tables of two or four and benches around the space. The counter was immediately in front of us as we went through the door and the friendly barista took our order (long black and soya hot chocolate, what else?) while we took our seats. There were a fair few staff in the café when we visited, so many in fact that we weren’t initially sure who were staff and who were customers. Nonetheless, their joviality transformed the café’s fairly austere decor more into the feel of the welcoming space of a living room.

blue shadow, hot chocolate
A layered hot chocolate? No, just the reflection of the saucer in the glass.

Having taken our seats and started to look around, we found that much could be said about the science in this café. From the SMEG refrigerator and individual radiators to the light reflection off individual sugar crystals in a glass on the table. Moreover, when our drinks arrived, the reflection of the (blue) saucer in the hot chocolate glass made it appear as if the hot chocolate were layered. In fact it was an optical illusion caused by the way our minds process the colour blue in shadows, more on that in this great article about colour, Goethe and Turner. But it was to a different lighting effect that my thought train eventually turned. Above the counter are a series of hanging lights with angular shades over them. Above our table were LED bulbs inset into the ceiling.

The way that the LEDs above us had been placed produced two shadows from the spoon on the saucer of my cup. A dark shadow and a light shadow at a slightly different angle. One reason that LEDs have caught on as a light source is that they are more efficient and so better environmentally and cheaper financially. So you may think that LEDs are one way of reducing our (collective) environmental footprint. But does this work? According to a study that measured the outdoor light levels around the world from 2012 to 2016, the answer is no. It would appear that while on a local level, people are enjoying cheaper lighting, on larger scales (nationally, globally), this decreased cost is leading to us installing more lights. Consequently, on the global scale, the area of land that is lit has increased by 2.2% per year with very few countries showing a reduction or even a stabilisation of the amount of outdoor areas that are lit.

shadows from a coffee Redemption Roasters
Determining a presence by noticing an absence. The two shadows of the spoon came from the light bulbs inset into the ceiling.

Does this matter? Well, it is something that is affecting us, the way we view our world and the wildlife that we share our planet with and so it is something that we ought to be thinking about. In brightly lit areas of the UK, trees have been shown to produce buds up to 7.5 days earlier than in darker areas. Artificial light is causing problems for nocturnal insects and animals, with knock on effects for crop pollination. And when was the last time you looked up at the sky on a clear night and saw seven of the Pleiades let alone the Milky Way? How does it change our psychology and philosophical outlook when we can no longer gaze at the night sky with wonder and without the glow of streetlights?

Some astronomers have called for increased shielding of street lighting as a way for us to both enjoy well lit streets and be able to enjoy looking up at the night sky. Shielding such as that over the lights over the counter at Redemption Roasters café, where the light is efficiently directed downwards rather than be allowed to escape into the sky. Small steps that can make a big difference. It is interesting to notice that around central London at least, many newer lampposts are more efficiently shielded than older ones. Pausing for a coffee in Redemption Roasters café is a great moment to consider this problem and your reaction to it. Have you stopped to gaze at the night sky recently?

After leaving the café, I realised I had lost an opportunity to notice something else. Frequently, after visiting a good café, I will look up the area in my London Encyclopaedia¹ to see whether there is anything of interest historically in the area of the café. As expected, Lamb’s Conduit St was named after a conduit made from a tributary of the river Fleet restored by one William Lamb in 1577. But Lamb also donated 120 buckets for poor women of the area to use for collecting their water, which explains the statue of a woman with an urn at the top of the street. However what was also mentioned was that at the entrance to Long Yard (ie. very close to Redemption Roasters) there is an ancient stone inset into a wall with a description about the Lamb’s Conduit. Somehow I missed this though Double Skinny Macchiato evidently found it. So if you do visit Redemption Roasters café, and I would very much recommend that you do, as well as taking some time to savour the coffee and to notice the surroundings, please do look out for this elusive stone and if you find it, do let me know.

¹The London Encyclopaedia, Weinreb, Hibbert, Keay and Keay, MacMillan, 2008

Redemption Roasters Cafe is at 84 Lamb’s Conduit St, WC1N 3LR

Categories
Coffee review Observations Science history

Hidden appearances at HoM

hot chocolate, soya, marsh mallow, HoM
Hot chocolate with marshmallows at HOM, Kings Cross.

In these long dark afternoons in the northern hemisphere, what could be better than a warming mug of lovely coffee in a bright environment? And so it was that we ended up at House of Morocco (HoM) on the Caledonian Road. Alerted by Brian’s Coffee Spot that Pattern Coffee had changed hands and become HoM we headed up to Kings Cross one damp afternoon in December to see how things had changed. Entering HoM is a strange mix of déjà-vu mixed with new. The pattern on the wall next to the window remains, as does the layout of the place. However it is also clear that much has changed since HoM took over.

There are murals and variously coloured cushions dotted around the café. Even in the darkness of the afternoon, the café was bright, but also crowded. We ordered a soya hot chocolate, a long black and a cheesecake and found a seat perched at a small table for two near the door (the only seat left at the time). The coffee, roasted by Terrone Coffee, was nicely balanced for the afternoon. But it seems that the hot chocolate and cheesecake combination were a real hit. The cheesecake was apparently very good (definitely worth a return visit apparently) while the hot chocolate went very quickly!

Inside the café, the windows were steaming up with the warmth of the inside. We over-heard that this was because of the coffee machine rather than any extra heating that had been installed. Does this suggest an alternative energy source? Coffee machine heaters to go with treadmill electricity generators in gyms?

all about pigmentation at HOM
Menu with sugar bowl and glazed tile at HOM, Kings Cross.

Meanwhile, the decoration was demanding my attention. A vividly coloured glazed tile supported a jar of sugar which was propping up a black and white menu. The menu had an illustration reminiscent of henna tattoos while above all of this balanced a peacock feather in a vase. Underneath the peacock feather was a poster advertising the “Phantom of the Opera”. The whole ensemble was suggestive of appearances and how they can be deceptive. The phantom of course wore a mask to disguise his disfigured face. But the peacock? The peacock is hiding something too.

Many of the colours that we see around us such as those making our coffee brown and making the tiles colourful are as a result of energy from the light being absorbed by the atoms in the substance (the coffee or the tile). This type of light absorption (and emission) can be connected with vortices in coffee as was discussed here. However the blues and greens in a peacock feather are different. If you look at the feather under a high powered microscope, you will find that the feathers are not dyed as such, in fact the natural colour of the feathers is quite dull. Made from keratin (as you can find in your fingernails) and melanin (responsible for the brown pigmentation of your skin, eyes and hair), the feathers do not seem blue at all. In fact it is the structure in the feather that is producing the colour rather than any dye that produces the colouration.

It turns out that there is a long history concerning our understanding of the colours of a peacock’s feather. It started with Robert Hooke who, in 1665 described the feathers of both peacocks and ducks and noticed that the colours he saw under an optical microscope were ‘destroyed’ by putting a drop of water on the feather. A little bit later and Isaac Newton was suggesting that the colouration was due to the thickness of the transparent bits of the feather. There’s a link here to coffee. Newton was suggesting that an effect similar to thin film interference (which causes the rainbow colours on the bubbles in a coffee) was causing the colours of the peacock feather.

appearances at HoM
Peacock feather and phantom poster with the top of a mirror. How does structure affect what is seen?

As our understanding developed through the centuries (and the microscopes became more powerful), it became apparent that while thin film interference (and multiple film interference) could cause some animals to appear as if they had certain colours, the peacock, along with some other animals, was a little bit more special. Rather than just being the result of reflection off an interface, the peacock’s feathers showed structure at the nanoscale (1/1000000 of a mm). The keratin and melanin in the feathers were arranged in a square lattice to form what is known as a ‘photonic’ crystal. The way this structure reacted with incoming light meant that only certain wavelengths were reflected from it. Depending on the size of the layering in the feathers, they appeared as blue, green or yellow.

Although a lot more is now understood about the factors, structural and chemical, that lead to colouration in all sorts of creature, be they butterflies or beetles, peacocks or pigeons, there is still more to discover, more to understand. The authors of the paper referenced here wrote

“In this paper, we describe a wide variety of structural colors occurring in nature and attempt to clarify their underlying physics, although many of them are not fully clarified.”

There’s clearly a lot more work to do before we can properly explain these “beautiful microstructures”.  And plenty of time to do so as we sit enjoying well made coffee and hot chocolate in a bright and warming café.

HOM can be found at 82 Caledonian Road, N1 9DN